| 2022-- |
The laboratoryWork-in-progress, Tokyo. (online) |
| 2021 |
The laboratoryWork-in-progress, Tokyo. (online) |
| 2018 |
(-19') The laboratory, Social Art Practice Projects, Tokyo. |
| 2016 |
(-17' : Creators lunch team) Movie, Tokyo. |
|
65th Tokyo University of the Arts Graduation. |
| 2015 |
(-16') NAKANOJO Biennale, Gunma. |
|
GWANJU Biennale/installation team Korea. |
|
Wip, Ibaraki. |
| 2014 |
KAMEYAMA Triennale, Mie, Designated cultural property, Mie. |
|
Light Show, Shinjuku 2-chome, Tokyo. |
|
ATLAS, Ibaraki. |
| 2013 |
Keihannna Art Festiva "ARTCOM", Kyoto. |
|
Non-deterministic meeting, 7-23 gallery, Kyoto. |
|
Their progress, 7-23 gallery, Kyoto. |
| 2012 |
"Clarendon House" Edinburgh, Scotland / UK. |
|
Korean + Japan's Creator. BankART1929 NYK gallery A, Yokohama. |
|
Kyoto international community house, Kyoto. |
| 2011 |
Korean + Japan's Creator, Seoul GALLERY, Seoul / Korea. |
| 2010 |
“HIMARI TOCHIOKA” Sbae Contemporary Art Center, Fukui. |
|
“Misaki ” Misaki poultry or chicken farm, Fukui. |
| 2023 |
SICE Annual Conference International Award (IA) |
| 2022 |
LEXUS DESIGN AWARD 2022 Shortlist Artist / TOYOTA |
| 2022 |
SI2022 Best Presentation Award |
| 2021 |
The 9th Robot Award, Excellent Prize, Ministry of Economy, Trade and Industry, Japan Machinery Federation, and related Ministries |
| 2021 |
4th Infrastructure Maintenance Award, Minister of Land, Infrastructure, Transport and Tourism Award |
| 2020 |
Innovative Technologies 2020 Special Prize - Vision -, Digital Content Association of Japan |
| 2020 |
Innovative Technologies 2020 Sponsor Prize, Digital Content Association of Japan |
| 2023 |
Himari Tochioka, Tomohiro Sueishi, and Masatoshi Ishikawa:
Development of Dynamic Projection Mapping based on
Ball Bounce Position Prediction,
28th Virtual Reality Society of Japan Conference (VRSJ2023) (Hachioji, 2023.9.14) / Proceedings, 3D2-01 |
| 2023 |
Himari Tochioka, Tomohiro Sueishi, and Masatoshi Ishikawa:
Bounce Mark Visualization System for Ball Sports Judgement
Using High-Speed Drop Location Prediction and Preceding Mirror Control,
SICE Annual Conference 2023 (SICE2023) (Tsu, 2023.9.8) / Proceedings |
| 2022 |
Himari Tochioka, Tomohiro Sueishi, and Masatoshi Ishikawa:
Bounce Position Prediction Using High-speed Vision
for Mark-based Decision in Ball Sports,
The 26th System Integration(SI2022) (chiba, 2022.12.16),
pp.2089-2092 |
| 2021 |
Himari Tochioka, Tomohiko Hayakawa, and Masatoshi Ishikawa:
Effects of Video Latency and Target Acceleration on Human Perception
Against Physical Sensation in Immersive Environments With Low Visual Feedback Delay,
The 26th Annual Conference of the Virtual Reality Society of Japan (VRSJ2021.9.14),
3B2-3 |
| 2021 |
Haruka Ikeda, Tomohiko Hayakawa, Himari Tochioka, and Masatoshi Ishikawa:
Bilateral Display With Afterimage Effect Depending on Motions,
IPSJ Interaction 2021(Online, 3.11), pp.57-63 (2021) |
| 2021 |
Tomohiko Hayakawa, Himari Tochioka, Yuki Kubota, Ryota Mima, and Masatoshi Ishikawa:
Frame-rate dependence of perception in two kinds of illusions about color and shape :
Application study of the Benham's top and rubber pencil illusions for video expression.
2021 (Expressive Japan 2021) |
| 2020 |
Haruka Ikeda, Naoki Fujita, Himari Tochioka, Tomohiko Hayakawa, and Masatoshi Ishikawa:
Measurements of Refresh Rate in a System with a High-Speed Camera and a High-Speed Projector,
IEICE General Conference 2020. |
| 2020 |
Naoki Fujita, Haruka Ikeda, Himari Tochioka, Tomohiko Hayakawa, and Masatoshi Ishikawa:
Effects of Video Latency and Frame Rate on Human Perception in Immersive Environments
With Low Latencyof Visual Feedback, IEICE General Conference 2020. |
| 2019 |
Himari Tochioka, Haruka Ikeda, Tomohiko Hayakawa, and Masatoshi Ishikawa:
Effects of Latency in Visual Feedback on Human Performance of Path-Steering Tasks,
The 25th ACM Symposium on Virtual Reality Software and Technology (VRST2019)
(Parramatta, NSW, Australia, 2019.11.12-15), Poster [doi:10.1145/3359996.3364726]. |
| 2019 |
Himari Tochioka, Tomohiko Hayakawa, Takuya Kadowaki, Haruka Ikeda, and Masatoshi Ishikawa:
Effects of Video Latency on Human Performance Against Physical Sensation in Immersive Environments
With Low Delay of Visual Feedback, The 24th Annual Conference of the Virtual Reality Society
of Japan (VRSJ2019), 4C-5.[PDF]. |
| 2019 |
Tomohiko Hayakawa, Yuki Kubota, Yushi Moko, Yuka Hiruma, Himari Tochioka, and Masatoshi Ishikawa:
Structural Monitoring System of Flaking and Peeling Based on Motion-Blur Compensation in High-Speed Transition,
JSCE2019, VI146:1--VI146:3. |
| 2019 |
Kubota, Tomohiko Hayakawa, Yushi Moko, Yuka Hiruma, Himari Tochioka, and Masatoshi Ishikawa:
Visualization of Flaking and Peeling Using Laser Heating Optics with Variable Spot Size,
JSCE2019, VI-145:1--VI145:3. |
| 2019 |
Tomohiko Hayakawa, Takuya Kadowaki, Himari Tochioka, and Masatoshi Ishikawa:
Motion-Blur-Compensated Microscopic Imaging System by Controlling the Optical Axis
Using a Rotating Acrylic Cube, Focus on Microscopy 2019 (FOM2019) (London, 2019.4.16). |
| 2016 |
Himari Tochioka: Contemporary Art as a Means of Awakening Contemporariness
"EARTH PRINT - Expression of the Earth -" Master's Thesis Tokyo University of the Arts,
Graduate School of Fine Arts, Department of Advanced Art and Design, Community and Art,
Taho Ritsuko Laboratory |
| 2018 |
(-19') The laboratory, Social Art Practice Projects. 東京 |
| 2016 |
(-17') Creators lunch team |
|
第65回東京藝術大学 卒業・修了作品展 |
| 2015 |
(-16') NAKANOJOビエンナーレ, 群馬 |
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Wip展, 茨城 |
| 2014 |
亀山トリエンナーレ, 指定文化財(建造物旧舘家), 三重 |
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彩なす光の祭典, 新宿二丁目通り, 東京 |
|
ATLAS展, 茨城 |
| 2013 |
Keihannna Art Festiva “ARTCOM”, 京都 |
|
非決定的な対面, 7-23 gallery, 京都 |
|
彼女達の経過, 7-23 gallery, 京都 |
| 2012 |
Clarendon House, Clarendon House / UK |
|
日韓合同展示会ＥＴＴＥＤＡ2011日本展 BankART1929 NYK A gallery, 横浜 |
| 2011 |
“地球人ようこそ” 京都国際交流会館, 京都 |
|
日韓合同展示会ＥＴＴＥＤＡ2011韓国展 Palais de Seoul GALLERY, ソウル / 韓国 |
| 2010 |
“みさき” 三崎養鶏場, 福井 |
